Some of the easiest things to play on a stringed instrument can be the hardest to emulate from a keyboard. Vibrato is a good example: most solo string samples include vibrato in the sample, which is by far the best way of achieving maximum realism. However, it can also be very restrictive.
"The problem with having vibrato sampled into the sound is that you have no control over it," notes Tschetter. "If you can control it yourself using an LFO, you'll have more freedom to use and assign it as
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